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Back in the Circus by Jonatha Brooke (CD) Rock Popular Music Better After All

Back in the Circus by Jonatha Brooke (CD) Rock Popular Music Better After All



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Additional Information about Back in the Circus by Jonatha Brooke (CD, Feb-2004, Bad Dog Records/Verve)
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Album Features
UPC: 602498614341
Artist: Jonatha Brooke
Format: CD
Release Year: 2004
Record Label: Bad Dog Records/Verve
Genre: Rock & Pop

Track Listing
1. Back in the Circus
2. Better After All
3. It Matters Now
4. Sleeping With the Light On
5. Fire and Rain
6. Everything I Wanted
7. God Only Knows
8. Less Than Love Is Nothing
9. Sally
10. No Net Below
11. Eye in the Sky

Playing Time: 42 min.
Contributing Artists: Mitchell Froom
Distributor: Universal Distribution
Recording Type: Studio
Recording Mode: Stereo
SPAR Code: n/a

Album Notes
Personnel: Jonatha Brooke (vocals, acoustic & electric guitars, mandolin, autoharp, piano, Wurlitzer piano, Fender Rhodes piano, Clavinet, keyboards, bass, drums, percussion); Goffrey Moore (electric guitar, E-bow, bass, programming); Eric Bazillian (electric guitar, Wurlitzer piano, bass, drums, shaker); Ryan Freeland (electric guitar, keyboards, drums, programming); Mitchell Froom (piano, Hammond B-3 organ, keyboards, Moog synthesizer); Darren Embry (bass); Dorian Crozier (drums, percussion).Producers: Jonatha Brooke, Ryan Freeland, Goffrey Moore, Eric Bazilian.Simply put, Jonatha Brooke knows how to write wonderful pop songs. Since her days in the acclaimed folk/pop duo the Story, she has penned elegant, literate, and intricate compositions with melodies that linger in the mind. Her lyrics tumble over each other with acrobatic ease, and Brooke sings them with the sort of intimate sincerity that is impossible to fake. Her fifth solo record, BACK IN THE CIRCUS, finds the singer/songwriter as sharp as ever, her relaxed prowess on full display. Playfully pointed lines abound, as on the Beatlesque opening title track, where she notes "I've got holes in my fishnets and holes in my last alibi."Brooke also proves proficient with other people's tunes, finding hidden corners in familiar surroundings on her elegiac rendering of the Beach Boys' "God Only Knows" and her acoustic reinvention of the Alan Parsons Project hit "Eye in the Sky." She even pulls off a musical coup of sorts by injecting the old James Taylor warhorse "Fire & Rain" with jazzy, slightly electronic undertones, rediscovering its original earthen beauty.


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